1987 September Vanity Fair Magazine - Gary Hart Kenneth Tynan Diane Sawyer

Description: Yes we combine shipping for multiple purchases.Add multiple items to your cart and the combined shipping total will automatically be calculated. 1987 September Vanity Fair Magazine - Gary Hart Kenneth Tynan Diane Sawyer FeaturesThe Road to Bimini: The Gary Hart affair was an important failure forAmerica. Gail Sheehy digs behind the headlines and the lies, uncoveringvital new evidence about the potential president s collision course witpolitical self-destructionCan Diane Sawyer Have It AU? What's hidden by the Mona Lisa smile olnetwork television’s mystery woman? Interview by Michael Shnayerson;portraits by Annie LeibovitzThe Power of Pierre: As Yves Saint Laurent's right hand, Pierre Berge hascreated a $350-million-a-year empire. Is his next step the arts? Then politics?Bob Colacello reports146Buck’s Book: Joan Juliet Buck spotlit by Alice Springs152A Passage to Wilbury: Ismail Merchant introduces the house that stars inthe new Merchant Ivory movie of class and youth and Edwardian sex154Style Italian-Style: Tiffany designer Elsa Peretti has left behind the blurredglitz of Studio 54 for a life of Roman civilization. By Andre Leon Talley 158Fit to Be Tynan: Scenes from the meteoric life of Kenneth Tynan, theoutrageous theater critic and dandy who blazed through Oxford. London.New York, and Hollywood. By his wife. Kathleen Tynan160ColumnsEditor’s Letter: The Hart mystery8Letters: Readers bite back22Mixed Media: James Wolcott gags on literature's young and wasted24Book Marks: Christopher Hitchens assesses precocious Michael Kinsley39Wine: Joel L. Fleishman’s vintage sweet talk46Cars: Mark Ginsburg and Danny Sullivan lap up the BMW 735i53Art: Anthony Haden-Guest on the gallery merry-go-round60Postscript: Jesse Kombluth on the late, unlamented Arthur Sackler81Letter from India: Salman Rushdie on forty years of troubled independence88Flashback: Vanity Fair, December 1928. Al Jolson108VanitiesWell, hello, Dolly. . .The palette-able Judy Peabody. . .Tandemonium:wedding of the month.. .Tina chows down on jewelry. . .Astrology: unlike aVirgo.. .Scroll of Shame: prose and consArts FairMatinee idyll Dennis Quaid.. .Cartier-Bresson’s Surreal side.. .Brook's Indianepic.. .Image-conscious Sherrie Levine.. .Noting Weill.. .Short Schiff.. .Daisyanswers true.. .Smiley’s debut.. .Forever Germaine Greer. , .Night-table reading 181ow she moves!Long-legged, graceful as a basketballplayer, she heads out of her glass-walledoffice at a serious clip down 60 MinutesRow. Harry Reasoner’s office: empty, justa coat on the chair. But there’s Ed Brad-ley: serious, suspendered, a harried glanceover his half-glasses. And Mike Wallace:tie loosened, leaning forward with that withering intensi-ty to address an assistant who keeps nodding vigorously.Then another empty office: Morley Safer on assignment.It’s like being at the zoo looking in at the bears.Then a long dark corridor. As I hurry to keep up, itoccurs to me I’ve never really seen her move. On tele-vision. that is. Either she’s seated or the camera’s upclose. Is she the sort of woman who moves when noone's watching? Is there a metaphor in this?The elevator descends. Why is it that beautifulwomen who stand five feet nine always seem so muchtaller than men who stand five feet ten?We lope across the lobby. Conversations cease. Westride out into the sunlight of West Fifty-seventh Streetand cross the canyon—CBS Broadcasting Canyon.Truckdrivers gape. Not a peep from any of them. Upanother elevator, down another hall, and into a tinyroom. We shut the door. It’s just us—and her hair-dresser.And there, before my eyes, it happens. How manyAmericans have witnessed this sight? Diane Sawyerwith her hair up in curlers.And she still looks like a million bucks.Maybe even a million two.America is in love. The woman it tunes in to onSunday nights is more than beautiful. She radi-ates intellect, modesty, charm. And the voice!Envious female newscasters around the countrynow imitate it as best they can; deep, honey-rich, con-fident (but not overconfident), it modulates as smooth-ly as a Rolls-Royce on a country road. In a sense,America is in love with itself. For what could be moreAmerican than this brainy blonde with the cool blueeyes and sensual lips, dizzyingly demure? At an un-abashed forty-one, Diane Sawyer is a modern Ameri-can classic—the perfect blend of maturity and moxie, thewoman every American man dreams of seeing across acrowded room and feeling, when he sees her, that stab ofrecognition: this is the woman I want to marry!Women admire her too. Like Barbara Walters she’sa role model, a symbol of how high a woman can go inwhat is literally an old-boy network. And it may bethat women are quicker to realize the more troublingways in which Diane Sawyer represents the AmericanWoman. As far as she’s gone in her career, the realquestion may be whether even a woman so talented cango any farther. Men become anchors, so the systemgoes. But women? If Sawyer’s much-publicized recentsalary negotiations are any indication, she seems tohave bumped up against at least a temporary... And much more! 13496

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